A little Morning Zen does it.

I was on the NOW and Zen charter boat while photographing and painting this scene.  Our project together is to capture the zen magic of the scenes we have seen together while sailing around north Florida waterways.
I have used this painting many times in my lessons in both watercolor and oils.  It makes a great reference for use of color without getting too distracted by the details.  Details are not what makes a great painting, it's feelings you get from the painting that remind you of an event or theme in an intimate way.  I see a lot of colors in my reference photo I use for this , that my students often do not see.  This is because with experience I have come to realize that photos are not by themselves a true depiction of any reality.  You have to enhance and bring back to life what the camera can't see.  The human eye and brain form a complex relationship of focus and selectivity.  You have to add that back in a painting.
To do this I concentrated on the value scales of colors warms of the sun, and cools in purples,  greens and blues, then contrasted them against each other to recreate the enchantment that I felt at the moment the sun was peaking over the trees flooding atmospherically the dark trees with golden glow.
Below you can see both attempts to capture the scene in oil and then watercolor

Morning Zen Oil 16" X 20"

the watercolor Zen Sunrise 

SPRING Class Schedules
with Gordon Meggison 

A plein aire watercolor  of the Jacksonville Arboretum pond

WATERCOLOR Classes at Gordon's  BARN STUDIO
(at 3920 Sierra Madre Dr S, Jacksonville Fl 32217) 

Spring is here!  Great for exploring Florida outdoors. We will start with some
outdoor plein air exercises in Gordon's personal garden ( a touch of Monet!)

when the weather is good (Easels provided)  Gordon will guide you through

simple step by step techniques and interesting themes designed to help you

simplify complex subjects so you can produce colorful vibrant watercolors.

Classes Starting Tuesdays April 23 - May 28 10 am - 2 pm at the Studio

New Students $ 200. previous students $180.!  Limit 6 students.

To sign up for this season: email- gordonmeggison@att.net, or gordonmeggison@gmail.com,   or call (904) 739-0251

To see Gordon's work see www.gordonmeggison.com under the Fine Art tab.

for materials list info see http://www.gordonmeggison.blogspot.com

OTHER CLASSES AND WORKSHOPS with Gordon Meggison are featured below:

JCA
Jewish Community Alliance ( www.jcajax.org )
Thelma Nied, Cultural Arts Director Jewish Community Alliance
8505 San Jose Blvd, Jacksonville, FL 32217
Phone 904 730 2100, x 227, Fax 904 730 2444

WATERCOLOR Class 

$102. for members, $153 for non members

For beginner to intermediate watercolor enthusiasts. Basic color theory, color washes, composition will be taught while exploring simple but exciting themes.
Session 1
6 sessions each -

Times:
Monday mornings 10 am - 12 pm, 
April 15, 22, 29, May 6, 13, 20  
Wednesday evenings 7pm - 9 pm

April 17, 24, May 1, 8, (no class May 15) 22, 29

8 week SUMMER  Watercolor Classes
$136. for members, $204 for non members

Wednesday 7-9pm
June 5, 12, 19, 26, July 3,10,17, 24.

OIL Class
Learning to paint in oils using simple techniques and materials to achieve beautiful results fast! Gordon employs a simple easy to follow step by step process to use the fundamentals of sketch to color mixing to finished oil painting.

Session 1 6 sessions each

$102. for members, $153 for non members

Monday evenings 7pm- 9 pm 

April 15, 22, 29, May 6, 13, 20

 Wednesday mornings 10 am-12 pm
April 17, 24, May 1, 8, (no class May 15) 22, 29

8 week SUMMER  OIL Classes
$136. for members, $204 for non members

Mondays 7-9pm
June 3, 10, 17, 24, July 1, 8, 15, 22.

REDDI ARTS WATERCOLOR WORKSHOP 1 day only     Saturday May 11 , 9:45 am- 5 pm  $100.

One Day Watercolor Fast Track BRUSH UP!

A chance to get personal help to achieve control of your watercolor medium for beautiful luminous results.

Minimum 5,  Limited to 12 persons, basic watercolor supplies needed. (see list)

Contact Eric Adams (904) 398-3161 ex 319 eric@reddiarts.com , www.ReddiArts.com
http://www.reddiarts.com/ClassesandWorkshops.com 

  

ABSTRACT Watercolor Workshop contact Jennie szaltis  http://facebook.com/jennie.szaltis
Trends 3919 Hendricks Ave, Jacksonville, Florida 32207 next Door to Millwork Design Studio

EVENT:  1 day   WORKSHOP  May 18th - Sat.  10:00am - 4:00pm.   $75.00 minimum 6 students

Watercolor Supply List

Watercolor Supply List

Instructor: Gordon Meggison

Paper:  140lb Cold Pressed Arches Watercolor Paper Block suggested size 10”x 14”

Paint - BEST: Winsor & Newton PRO grade NOT  COTMAN ( it has fillers) 

Cadmium Red, Alizarin crimson or Genuine Rose, Cerulean Blue, Cobalt Blue , 

Indigo, Horizon Blue, Olive Green, Sap Green, Burnt Umber, Burnt Sienna, 

Cadmium Orange , Cadmium Yellow, Bismuth Yellow, 

Pallet pan - Medium size folding plastic palette large or medium size is best not small

Brushes - #12 Sable, (Simmons will work-not too expensive) 1" Nylon Synthetic or Hake Brush ( a Japanese Brush for washes)

Windsor Newton Masking Fluid

Low adhesion masking tape painters style 1" or drafting tape

#2 pencil 

kneaded eraser

Small Kosher Salt in a small shaker

Flat 3” X 5” kitchen sponge (not the kind with coarse scrub texture on backside)

Plastic wide base water cup 

Plastic saran Wrap (Optional)

Paper Towels

Scrapers- this can be a variety  of objects, I can go over them in class, clay tools, palette knives, burnishers etc all make different marks into wet washes

A successful show at the "Parade of Homes" in the Yacht Harbor Village 2013

Gordon Meggison was invited by Amy Steedley of ADS Designs and Alissa Bennett  Design Studio A to show his signature driftwood paintings throughout the "Parade of Homes" in the St George house  by Keystone Homes Mar 16th - 24th in Palm Coast at the Yacht Harbor Village.  It is a 4000 sq ft home with a marina nearby, on the intercoastal waterway.  The dining room was a perfect venue for the triptych of Talbot beach.  Other works were featured throughout the house.  One painting in the guest bedroom "Worn by Wind and Sea" sold, two others are in negotiation.  To see more driftwood works go to Gordon's web site www.gordonmeggison.com

"Worn by Wind and Sea"  SOLD 

The Dining Room triptych

this hung in the master bedroom with the two below

Simplifying A Landscape In Terms of Temperature

When painting a landscape in watercolor , oils etc, it can be overwhelming to grasp all the detail and the color variants for anyone, much more so a beginner.  Let me give you a way to see and breakdown the subject easily.  See it NOT as a landscape, but as a series of colors going from warm (the light side of an object-ie: the sun) to the cool side of an object ( less sun , so blue ).
So see the image and the color bar at the lower left.  It starts with warm light- bismuth yellow, orange, moves to raw sienna, olive greens (for this bush exercise) then starts to get to sap green, and then hookers, chrome and greens that you add cobalt blue , or indigo to to darken.  Let these different colors interact as the move around the object by placing them next to each other, sometimes mixing, sometimes not.

On Doing Demonstrations of Your Painting Techniques

Doing a watercolor demo for a large group of people can be frightening, but if you prepare, you can minimize the fear.  I did this by preparing for three days before hand.  I painted a lot and experimented so I would have a sharp edge to the presentation and maybe bring something fresh to the table. My theme was Abstract Watercolors.  I had an idea of several compositions beforehand that would also demonstrate a variety of different principals and techniques at the same time.  I wanted my timing to be worked out so that the demo would be fast, informative and exciting.  I used brighter colors than I might usually since the viewers would be seeing the image upside down and from a distance and possibly in poor light conditions.  

There is nothing more boring than watching paint dry or watching someone noisily use a blow drier.  So I enlisted a student/friend volunteer to do the drying in a side room while I moved to the next stage on another watercolor block.  I also used the opportunity to display a few other types of abstract approaches that I have tried in the past, but would not address that night. 

It is important to keep the energy moving, funny if possible.  I finished 5 pieces in 1 hour by having several blocks and themes in the ready.  I wasn't exactly sure how it would all time out, so I had back up material in case I moved too quickly, but moving too slowly was my biggest fear!  

People hear more when they are laughing and having fun.  Tap into your inner comedian by paying close attention to your feelings and even your fears.  We are all a bit nervous to be in front of the spotlight, no one wants to make a mistake or bore people.  Our fears can be a source of great self deprecating fun, since everyone can identify with your fears, they have them too!  

Enjoy the process and be prepared by knowing clearly what your message is.  I penned an outline in bullet points so I didn't get off track risking losing my message.  I like to balance example with description, too much explanation can lose people, too much demonstration can get deadly quiet.  I try to remind myself to make some eye contact, which is hard, because it takes a lot of concentration to do a painting in the first place, and in front of a crowd, but keep that connection with the group.  Don't mumble, do a sound check, and make sure they can see your work.  Most important keep it fun light, informative and colorful, know your message, and drive home the point to wrap it up with a bang!  

Here is what the Jacksonville Watercolor Society said in their recent newsletter about my demonstration at the Cultural Center of Ponte Vedra Beach Florida:

"Thank you to Gordon Meggison for a vibrant and playful demonstration.  His work with masking fluid, saran wrap and emotion made for a lively evening of learning.  For Gordon, "play" is the key word and we all certainly enjoyed watching him play with color, fluid, and paper.  Two lucky winners went home with wonderful pieces of artwork from Gordon's collection."

It was all great fun and went by too fast, I am grateful the JWS wanted to see what I do and how I do it.  

Jacksonville Watercolor Society demo in progress

Artists Block

We all know what it is like to have trouble getting motivated. It is easier to go get something from the fridge, watch a movie or clean house. They can be beneficial and are often even necessary, but when we divert our creativity too much to these types of activities, we can dilute our creative energy. This can stop the energy from building up in us to the point where we simply "must" paint. I love it when I am on one of those creative rolls where I just can't stop painting, time slips by and I am letting one painting inform another. I wrestle with artist block in one form or another every day. Sometimes cleaning house can help me, by making me feel active and productive, but ultimately it must translate into activity and time spent in the studio and wet paint to get a painting started. Starting is the hard part. I don't always have clarity or energy when I go into the studio. I find (like exercise!) when I just show up and start puttering around in my "sanctuary" I start to feel the muse emerge. She begins to manifest in my thoughts, and seduces me into believing that if I start this or that I will be a great artist and everyone will love me! While that might be comical and an overstatement, it is more or less true. First I have to get myself "set up for success", all the tools positioned and appropriated, a canvas primed and in place. I also like to get other stretched canvases ready to go ( I prefer to create a "body" of work, and this psychological trick can show yourself you mean business, it says to your subconscious ..."when" I get fired up not ..."if" I get fired up. That assumptive position harnesses the power of your mind and ultimately your body.It is also important to ask yourself quality questions . Here's a few:

• 1."what can I do to set myself up for a fun painting experience,"
• 2."what new technique can I approach this medium with or subject that I haven't tried before to make this more rewarding,"
• 3. "how fast  can I paint this subject so that I only capture the essentials of energy and light, so that my viewing experience is enhanced".

Try some others by writing them down for clarity of purpose though unfortunately few do this (many are called but few are chosen). Writing it down works, sketching rough thumbnails helps, and having a sketchbook at the ready helps that!  Anyway you get the idea.
I find a bit of regular art related periodicals or books throw fuel on your fire. Start your creativity off with good mental attitude with mind food so that your vision will be sharpened, your mood enhanced and your chances of success increased.
When I finally get excited, the spark sets a glow at first, then as I get clarity and focus (we are all a bit ADD these days with modern distractions!) and I know what I am doing a bit better, one sketch piece informs another ( I often paint 4-10 pieces at a time) . That's when a firestorm of creative ideas can build excitement and sustain you through a body of work and a narrative that maintains your curiosity and interest for some time.
What I look for in painting, is a subject that I can explore, that widens my visionary skills while challenging me technically in order to bring fresh techniques, and ultimately fresh impetus to my work overall.  The subject is less important than the "feeling" for your subject.  Your goal should be to translate the feeling into the paint strokes through skill and honesty (not doing it just for the money), and the passion will become obvious in the work one stroke at a time.
I am presenting here a selection of paintings done within a three day period as I prepared for a Jacksonville Watercolor Society demo at the Cultural Center at Ponte Vedra Beach Florida.  You can explore how one piece informed another.  This process of self discovery opened up a whole new area of interest and technical discovery for me.

     

The last, and a breakthrough for me!

Winter Class and Workshop Schedules with Gordon Meggison For The Season JANUARY - APRIL 2013

WATERCOLOR Classes at Gordon's  BARN STUDIO
(at 3920 Sierra Madre Dr S, Jacksonville Fl 32217) 

Congratulations! We have all survived the changing of the MAYA millenia!
Now let's celebrate life and the changing of the seasons by creating brilliant,
compelling watercolors at Gordon Meggison's Barn Studio.  Gordon will guide you
through simple step by step techniques and themes designed to help you
acquire the skills to produce colorful vibrant watercolors. 
Classes times are - Starting Jan 15 -Feb 19-Tuesdays 10 am - 1pm
New Students $ 200. previous students $180.!  Limit 6 students.
To sign up for this season: email- gordonmeggison@att.net, or gordonmeggison@gmail.com,   or call (904) 739-0251
To see Gordon's work see www.gordonmeggison.com under the Fine Art tab.

for materials list info see http://www.gordonmeggison.blogspot.com

"Four Seasons" Watercolor, a class lesson/ demo at the Barn Studio

OTHER CLASSES AND WORKSHOPS with Gordon Meggison featured below:

Other Upcoming Class Schedules and Workshops 2013

REDDI ARTS WATERCOLOR WORKSHOP & CAFE
1 day only      Saturday Jan 12 , 9:30 am- 5 pm  $120.

One Day watercolor Fast Track Watercolor BRUSH UP!

We'll break for a visit to a local San Marco Cafe for Lunch and I will do a watercolor at the cafe- "I am always in search of the Ultimate Cafe!"  A chance to get personal help to achieve control of your watercolor medium for beautiful luminous results.

Limited to 10 persons, basic watercolor supplies needed.

 Contact John Cummings, www.ReddiArts.com , (904) 398-3161 ex303
http://www.reddiarts.com/ClassesandWorkshops.com 

Below: Watercolor Workshop  with the Art Guild of Orange Park at Green Cove Springs

                                     EVENT:  1 day  Workshop opportunity!    Jan. 26th - Sat.  9:30am - 3:30pm.                                              ABSTRACT WATERCOLOR WORKSHOP 

with the Art Guild of Orange Park
at Green Cove Springs
Explore the abstract relationships and techniques that you can use to create beautiful abstract watercolors.

  

Sacred Heart Church Parish Hall 207 palmetto St.  Green cove Springs

  

Art Guild Members $55.00 / Non-members $75.00 
Contact Beth Haizlip haizart@comcast.net 535-9525 

       

SPECIAL UPCOMING Demo February 26th:

JACKSONVILLE WATERCOLOR SOCIETY
Abstract Watercolor Demo 

February 26 Tuesday night at 7pm Cultural Center of Ponte Vedra

Contact Karen Zelenkov, Jacksonville Watercolor Society,  skzelenkov@comcast.net
 http://jacksonvillewatercolorsociety.org    (904) 287-5411,  (904) 614-4399 Cell

Jewish Community Alliance Winter Class Schedule 2013

WATERCOLOR Class
At JCA ( www.jcajax.org )
$102. for members, $153 for non members

For beginner to intermediate watercolor enthusiasts. Basic color theory, color washes, composition will be taught while exploring simple but exciting themes.
Session 1

Times:
Mon mornings 10 am - 12 pm, 
Jan 7,14,21,28- Feb 4, 11  
Wed evenings 7pm - 9 pm

Jan 9,16,23,30- Feb 6, 13

Session 2

Mon mornings 10 am - 12 pm,
Feb 18,25- Mar 4,11,18,25
Wed evenings 7pm - 9 pm

Feb 20, 27- Mar , 13, 20- Apr 3 (no class Mar 27)

OIL Class at JCA  ( www.jcajax.org ): Learning to paint in oils using simple techniques and materials to achieve beautiful results fast! Gordon employs a simple easy to  follow step by step process to use the fundamentals of sketch to color mixing to finished oil painting.

6 sessions each -
Session 1 Times:

Mon evenings 7pm- 9 pm 

Jan 7,14, 21, 2- Feb 4, 11

 Wed mornings 10 am-12 pm
Jan 9t, 16, 23, 30- Feb 6, 13
Session 2
Mon evenings, 7pm- 9pm
Feb 18, 25 - Mar 4,11, 18, Apr 8 (no class Mar 25, April 1) 
Wed mornings 10 am - 12 pm
Feb 20, 27- Mar 6, 13, 20, Apr 3 (no class Mar 27)

Signup with JCA www.jcajax.org Thelma Nied, Cultural Arts Director Jewish Community Alliance
8505 San Jose Blvd, Jacksonville, FL 32217
Phone 904 730 2100, x 227, Fax 904 730 2444

Orange Park Fine Arts Guild Watercolor Workshop

• I started the Workshop with a lesson on the value scales to draw a relationship between developing color wash gradations to a landscape outcome. http://gordonmeggison.com/

  We then took that lesson to another (imaginary) landscape to illustrate how 

that value scale relates to creating depth.