Saturday, May 16, 2020

The Passion of Children!


We often marvel at children's ability to draw or be taught to paint, but I have found that they are often blank slates, and if you inspire and guide them clearly, they will run with the information with all the passion we remember as children do.  It is often when we age we let thoughts of selling, fear, judgement, perfection etc creep in thwart our innate curiosity, and drive to create and take risks.
Here a but a few of my star pupils passionately at work!
 


My Practice Run At Alexandria Oaks Park 5/16/2020






I decided since it has been awhile since I have painted outdoors, what with all the hibernation these days, that I would get my feet wet at the Alexandria Oaks Park near the San Marco Square.  It is a lovely park I frequent for a nice time with the dogs, and fresh air.  I thought it would be an ideal location in these isolationist times to give everyone a chance to be together but a bit apart, get fresh air, enjoy a common interest and keep our skills sharpened for when we get to travel again and see the uncovid world.  At that time we will be able to carry our watercolor or acrylic paint skills anywhere, no studio or church needed, just some paint and a desire to do something adventurous, even heroic!.  Some people skydive, or scuba, I choose to risk it all and paint.  Remember it is like hunting, you don't always bag your prey, but the hunt is all part of it.  When it works it is very rewarding for years to come.  When it doesn't you still have fun and fresh air.
Example:  So today I am doing this piece you see, not quite finished but almost, running low on water (note to self bring more water next time!) and some curious onlookers with dogs come nearby.  The dogs begin rough housing, mine are not by the way, perfect kids, and they run thru my tripod and knock over my paint into the dirt.  That is where water would have been handy!  Also note to self bring a portable stool!


Friday, May 15, 2020

Plein Aire -Paint outdoors with Gordon Meggison June 4, 11 , 18, 25



If you are ready to get out of the house,
 but still want to stay safe, and enjoy this great spring weather while being inspired and uplifted by nature.....  
Join this 4 week Plein Air class 
with Gordon Meggison.  

This will be for both Acrylic , oil and watercolor.  I can coach in whatever medium you prefer.  My demo will initially be watercolor because it was designed to be a sketch medium for future works in other mediums. 
Call Patti at  Reddi Arts 
 (904) 398-3161 x 312 patty@reddiarts.com,  
ask about the Plein Air Class in San Marco with Gordon Meggison June 4-25

Gordon has painted all through Europe and has experience dealing with outdoor painting.  This class will help you travel light, stay in touch with the best source of inspiration- nature - real reality!  Plein Air work has always given artists a way to get in touch with loose immediate impressionism and helped them find their style.  It forces you to get out of your self to get to the heart of what is important, fast!


Dates : Thursday June 4, 11 , 18, 25 .  
If weather is poor we can add a day to the end or move over to a Friday slot.
All social distancing protocols will be observed , but there will be lots of room outside for all of us.  Let’s have fun old school!

Description:  This class is only for 4 days presently, by it may be extended if it is well attended for longer weather permitting.
We will meet early, 8-8:30am, because Florida can get warm as the day progresses, for the first day at the San Marco Square plaza gazebo in the center of the Square.  There Gordon will introduce the essentials of plein air work and how to set up for success.  Traveling light is the key!  I will be covering both acrylic and watercolor processes.  So bring your medium of choice. 
We will caravan over in separate cars to the next paint site at the nearby open park with plenty of space to spread out, low traffic, lots of shade choices.



Tools: For Watercolor Students-
Paint - Windsor & Newton PRO GRADE  or Holbein paints (No Cotmans!!!) :
Pre-Load your Watercolors into a Plastic folding Palette-
you can use : Cadmium Red or Opera rose, Cerulean Blue, Horizon Blue, Cobalt Blue, Ultramarine blue, Olive Green, Sap Green, Burnt Umber, Burnt Sienna, Cadmium Yellow, Indigo
Brushes - #12 and #16 Sable (Princeton (best) ,a 1”hake’ brush or flat natural hair
Low tack masking tape 1”
#2 pencil
1 KNEADED eraser
Flat 3” X 5” kitchen sponge
WIDE BASE Water Cup such as tupperware for cleaning brushes and 2 larger water bottles
Paper towels- fold some into a small plastic sandwich bag
butter knife for scraping
whales tale palette knife small made of metal-
buy tools at Reddi Arts  before class day



  
For Acrylic Students: I will show you how to get more image from less paint, show you how to simplify your process and get to it with less effort.   Brushes-small flats and filberts
Colors- White, raw sienna, burnt sienna, burnt umber, black
Water & container, small palette that is resealable stays wet style-ask reddi arts- I suggest either a small canvas like 8x8” or  on 140lb minimum or heavier (300 lb)  watercolor paper, 10” x12” something small.  When you are out you don’t want a huge piece.
A kitchen Sponge
I can bring small stools but let me know if you need one to reserve them.  I can provide easels for acrylic students or bring your own easels if you have one.

 Plein Air work has been embraced of for centuries as a great way to get honest with your direct response to nature and your art.  It brings immediacy to the work, where studio work appeals to all your tight impulses! It's like hunting, some times you bag the big game some times you don't but it's the hunt that is where the fun is.  It is about getting fluid and loose with a minimum amount of materials and time invested.  It is a form of personal calligraphy and a kind of simplification and accuracy challenge!  Fresh air doesn't hurt!

 Here are some examples of plein air watercolors by John Singer Sargent.



Building a base, keeping it simple, building power into the subject

Here are a couple of videos of my process, 
trying to simplify and add drama to the piece, 
down in the bones of the piece, to deliver the 
best emotional content to the subject.



Wednesday, April 22, 2020

Overcoming procrastion using charcoal drawing, my process....




During this self isolating period, I thought I was going to get a lot done, but due to the distraction of the bad news, I found it hard to concentrate and get into my groove with the type of paintings I had hoped to have time to do for years!  Time flies so fast, and though the isolation seems long, when we come out of it it will seem like a blip on the screen of life.  Still, I had to fight my own depression, and laziness, and finally get into the studio and do the real work of painting.  I finished my first oil painting that had already been started before the quarantine, but I felt like my progress was way too slow.      So I realized that one phase that didn't involve a lot of color mixing (decisions, decisions!), but was invaluable to getting started was committing to a sketch in charcoal on the canvas.  I had trouble settling on one idea, from my many references I have accumulated from my excursions to Talbot and Jeckyl Island bone yards.   So I pulled out all my prints of the photos, meditated on them for ages, then the cream would rise too the top.  I began to sort out the definitely nots from the maybes. I had already prestretched 10 canvases so I had them raring to go.  My strategy was to outflank my laziness and procrastination by limiting my choices.  I would only do charcoal work, no paint until I had thoroughly explored the designs in that medium.  Once I had a body of sketches worked out, the ice would theoretically be broken and I would be off and painting, with style.  Style is what develops when you do something often enough to do it genuinely the way you most like.
I like learning the twists and turns of the driftwood, which to me is energy and time itself, encapsulated yet still somehow in motion simultaneously.














Thursday, April 9, 2020

“Never let a crisis go to waste” Saul Alinsky.

Sunrise over Jeckyll Island
I wanted to reach out to everyone in the middle of this unusual time in which we are thrust.
This event, is a piece of history, and how we cope will test our discipline and character.
When this started, like many of you I swamped myself with coronavirus all day all the time, spent on Facebook, and Netflix or television, overeating and under exercising! It was not very productive and ultimately debilitating, and depressing.  All the things I thought I would get done I didn't. After wading thru that bad energy, I finally pulled myself up, and slowly, painfully began to paint. I applaud anyone who was able to get creative sooner, you are obviously of high energy and character. I am too sensitive to outside stimulation, and it caused me some great internal anxiety.  I am telling you this, because many of you are probably experiencing something similar.
This event has become a great disruption to the entire fabric of our lives.  Our habits and pleasures are completely upended.
I did learn however that there is a silver lining to this. I learned that the gift of time here is a blessing, a way to get to know our true selves. It has forced me to redevelop the lost art of introspection and meditation. It also taught me that I make a lot of excuses about time that simply aren't true, that fear and laziness are strong forces. It also made me appreciate the quiet power of time spent in my studio, the pleasure of slowly creating something new and of my self. Breaking from digital media, painting is much more rewarding. It pays dividends over and over for years to come, where much of the digital media we fill time with, is temporal stimulation, is easily forgotten and less satisfying, leading to poor self esteem due to time wasted.
I realized this space suit we call a body, needs care, attention, and has enemies, one a virus, but two our own self destructive natures. Our higher self can be reached through the various arts, which is inherently essential, though lately, not deemed officially so. Try getting through this without the arts! You soon find out how essential they are!!
I realized one day that there is a connection to this virus and art. It requires us to pay attention to detail. To see something unseen, or to see what is actually there, not just what we want to see or thought we saw. We have to make a connection to cause and effect, where we put our hands, and the consequences of those actions. Our connections to society at large has shown us how really connected we are. Like a virus, our ideas, good or bad, can spread, and take hold, influence or infect others. How we think or adhere to higher principles of truth and reality become extraordinarily relevant in this time. I have said to friends, my religion is the "Art of Appreciation". It is through really appreciating the many blessings all around us, a flower, a painting, a friend, light on a tree, a child, a parent, by not taking things for granted, we truly touch spirituality.
I am overcoming the effects of this virus, and have succeeded in mutating it into art, a series of efforts to regain my inner strength. I wish you similar luck with this challenge.
I normally work in acrylics, but this latest painting turned out to be a larger effort spanning four media, a watercolor sketch piece, a charcoal drawing on a canvas, starting with acrylic as a base coat, then oil painting as a top coat, each media having it's strength and it's weakness.  So I will share this experience with you now.
It has also been a time to appreciate "real reality" and how fragile real life can be.
So much digital around us, but we miss the real thing, the connection to loved ones and beloved places, like Jeckyll Island shown here at sunrise.  Please enjoy this virtual view of a recently forbidden beach!
I started this process with a trip to Jekyll Island on my last wedding anniversary.  I chose this piece to do as a demo in watercolor class, and decided I liked it as a watercolor but it would be just a study for a more serious oil in time. I Started it however, as an acrylic, during one of my acrylic demo classes at my barn studio.  I liked it as an acrylic, but wanted to see the creamier tones I could get in oils.  
So in this progression of shots you see the same subject rendered in three mediums.  I rarely do that, but it makes for a curious study!

The first is the watercolor version.




Above: The second is the acrylic version
The third is the oil version, and closeups below.




Sunday, February 23, 2020

The next Reddi Arts Class Schedule for Gordon Meggison in Watercolors and Acrylics

Starting March 5th 10am to April 9th I will be doing a variety of watercolor demonstrations and explain in detail how I do each step.  I will help you whether you are a beginner or experienced.  If you are a beginner, contact me by email or telephone to clarify any questions you may have about materials and process.

Starting March 6th 10am to April 10th I will be doing a variety of Acrylic demonstrations and explain in detail how I do each step.
If you are a beginner, contact me by email or telephone to clarify any questions you may have about materials and process.
Contact me at gordonmeggison@att.net, or call (904)309-0151
Have a look at the website at www.gordonmeggison.com for many examples of my range of experience in large mural or smaller fine art works in acrylic, watercolor and oil mediums.

I also teach smaller classes at my Barn Studio at 3920 Sierra Madre Dr S, Jacksonville Fl 32217.  
Wednesdays 10am to 1pm and 2pm to 5pm, open studio format, in acrylics and watercolors.  
(Open studio allows you to pursue the subject of your choice, and the medium, and I will coach you through it through advice and examples.)


You will also be able to examine closeup my many originals in the Gallery area of the Sierra Madre Studio.  Call me if you have any questions. 904-309-0151 or email gordonmeggison@att.net

Todays Wednesday Custom Art Lessons

 Here are some students engaged each on their own paintings, I help each one at their unique level. Each of my students are amazing creative...